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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Schedule - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.dancehack.org/workshops</loc>
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    <lastmod>2026-02-17</lastmod>
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      <image:title>Workshops2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Workshops2024 - Make it stand out</image:title>
      <image:caption>Isadora Beginning and Intermediate Level Workshops Workshop: February 20th 1:00pm-2:15pm BCNM *** Note that Isadora I (beginners) will be happening at the same time in the same studio. For those that don’t know, the computer program “Isadora” was one of the first (and is still one of the best) software programs that can manipulate media in live performance. Designed decades ago by Mark Coniglio for his company Troika Ranch, Isadora was built with the hope that people of many different skill levels could find it to be a useful way for incorporating technology into live performance. Its possibilities are quite limitless, but it does have a bit of a learning curve. Join us for a 1 hour Isadora 4 workshop with a focus on use for creating immersive live sound and video performance as well as integrating live / interactive data sources such as motion, sensor and robotics either locally or via remote networks. It offers the ability to create technically complex work that is easily usable in improvisational and devised performance contexts.  To facilitate the needs of people with various skill levels, this year’s Isadora workshop will be split into beginner and intermediate groups. Both groups will explore some of the ways that Isadora can be used interactively with moving bodies to generate or manipulate sound and visual media. Various common and easily accessible tools such as iphones and web cams will be used to demonstrate various interactive methods. Sheldon Smith will lead the beginner group and Ian Winters will lead the intermediate group. Both will happen at the same time and may find some cross pollination of thoughts and ideas towards the end of the session. The workshop leaders will also be available to help facilitate and mentor folks that want to continue to explore Isadora in their hack projects. Ian Winters is a media and video artist making works for gallery, site-specific projection / light works, as well live performance staged work. Often collaborating with composers, directors, and choreographers, he creates both staged and site-specific visual and acoustic media environments internationally. His work with noted ensembles and directors in performance, and in more traditional video and visual work, has been supported by the Creative Work Fund, the Rainin Foundation, Zellerbach Family Foundation, Djerassi, and EMPAC, among many others. He maintains an active worldwide teaching practice, leading workshops in live media and the integration of sensors, physical performance and site-based pieces. He studied video and performance at the School of the Museum of Fine Arts and Tufts University, followed by training in dance / physical theater, and architecture. He is also the co-curator of MilkBar with Mary Armentrout.</image:caption>
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      <image:title>Workshops2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Workshops2024 - Harmonious cacaphony</image:title>
      <image:caption>Workshop: February 20th 2:45pm to 4:00pm CNMAT - Center for New Music and Audio Technologies This workshop invites participants to experiment with real-time AI vocal agents, embodying them, and sharing their words out loud through language and sonic resonation. Together, we will explore what it feels like to hold conversations that are mediated, interrupted, or entirely composed by AI-generated language. The session begins with each participant working one-on-one with an AI agent, practicing the act of listening to and attempting to speak its words out loud. From there, we will move into small group exchanges, focusing not only on content but also on intonation, facial expression, and embodied expression. Gradually, the collaborations will expand until the entire group is engaged in a collective conversation, spoken entirely through AI voices. Each participant needs access to a real-time AI agent on their phone (Gemini, Claude, GPT, or any AI agent that offers real-time voice conversation) - download the app to your phone in advance. Earbuds required (preferably wireless) Extra agents and devices will be available for those who need them.  *Participants are welcome to participate through closed captioning or other modes of interaction and communication that support access needs. Please contact the Dance Hack organizers for any accommodations or access needs you might have. Collectively led by Avital Meshi: New Media and performance artist. PhD Student in Performance Studies and Science and Technology Studies, UC Davis. Sheldon Smith: Intermedia artist, composer, dancer and choreographer. Lisa Wymore: Professor UC Berkeley Department of Theater, Dance, and Performance Studies. Claudia Alick: National leader, performer, producer, writer, designer and inclusion expert. Executive Producer, Calling Up Justice. Valencia James: interdisciplinary artist from Barbados interested in the intersection between dance, theater, technology, art installation and activism. Hana Kozuka: Choreographer and dancer currently pursuing Data Science at the University of California, Berkeley.</image:caption>
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      <image:title>Workshops2024 - Make it stand out</image:title>
      <image:caption>Choreoichnology Workshop: February 20th 4:30-5:45 BCNM Merli V. Guerra leads a workshop exploring what she calls "choreoichnology"—the art of fossilizing a dancer's movements through space. Engage in an exploration of improvisation, motion capture, and 3D modeling (both virtual and physical) to discover how your own movements translate from kinetic experience to sculptural "dance fossil" form. Merli V. Guerra, MFA in Dance, is an award-winning choreographer and interdisciplinary artist with a focus on dance, technology, and history. Guerra is Assistant Professor of Dance Technology at Texas A&amp;M University and the inaugural Artist in Residence at Waco Mammoth National Monument. She previously co-founded and directed Luminarium Dance Company (2010-2024), an award-winning 501(c)(3) nonprofit merging dance and illumination in Boston, MA, and Princeton, NJ. Her PLACE Project (Presenting Landmarks through Artistic Community Engagement) integrates history, dance, and technology to celebrate cultural and historic landmarks (founded 2012). Guerra has performed lead roles as a modern dancer and classical Odissi Indian dancer with acclaimed companies on tours to India (2007, 2012) and Japan (2009). Her artistic works have been presented by 100+ events across the U.S., and internationally in North and South America, Asia, and Europe, with interactive public art installations permanently on view in the U.S. and Portugal. Guerra is a 2022 recipient of an Individual Artist Fellowship Award from New Jersey State Council on the Arts and Mid Atlantic Arts for her work in screendance, and a 2015 recipient of the Massachusetts Cultural Council’s prestigious Gold Star Award for her site-specific productions and community engagement. She regularly presents her work merging dance and technology. Recent presenters include Waco Mammoth National Monument (Waco, TX; 2025), Women in Dance Leadership Conference, (L.A., CA; 2024); Meeting of European Theatre Academies Conference (Italy, 2023), and the Museum of Science, Boston (2023). Beyond choreography, Guerra is a freelance graphic designer and arts journalist who served as Art Director of Art New England magazine for five years, followed by her work at Princeton University Press. As a writer, she is Senior Contributor to Boston’s The Arts Fuse, and a dance critic for the Toronto-based Fjord Review and Vancouver-based Dance International magazine.</image:caption>
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      <image:title>Workshops2024 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Workshops2024 - Biophysical Expression, Affect &amp; Movement</image:title>
      <image:caption>Grisha Coleman, Mark-David Hosale, Alan Macy</image:caption>
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      <image:title>Workshops2024 - Creative Collaborations: How to dance hack with a diverse group of people</image:title>
      <image:caption>Sheldon Smith</image:caption>
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      <image:title>Workshops2024 - Introduction to Isadora, Izzycast, &amp; Icreate 3</image:title>
      <image:caption>Ian Winters</image:caption>
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      <image:title>Workshops2024 - IntroDuction to IzzyCast</image:title>
      <image:caption>Mark Coniglio</image:caption>
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      <image:title>Workshops2024 - Clock, Fall—a presentation</image:title>
      <image:caption>Sydney Skybetter</image:caption>
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      <image:title>Workshops2024 - How does AI technology shape our identity, social dynamics, and culture?</image:title>
      <image:caption>Avital Meshi</image:caption>
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      <image:title>Workshops2024 - improvisation with data Structures</image:title>
      <image:caption>Daiane Lopes Da Silva</image:caption>
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  <url>
    <loc>http://www.dancehack.org/avital-meshi</loc>
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    <lastmod>2024-08-28</lastmod>
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      <image:title>Avital Meshi</image:title>
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      <image:title>Avital Meshi - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.dancehack.org/ian-winters</loc>
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    <lastmod>2024-09-09</lastmod>
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      <image:title>Ian Winters</image:title>
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      <image:title>Ian Winters - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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    <loc>http://www.dancehack.org/sheldon-smith</loc>
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    <lastmod>2024-09-25</lastmod>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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